This marks the second of a two-part series by digital artist Joe Nalven who explores the integration of AI in campus art galleries as an approach to supersede academic silos. Part one of this series can be found here. Gallery One ─ Identical Objects, Words, Different Perceptions Students will discuss how words that describe an […]
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In a story helpfully marked “Not the Onion,” Gawker reports that Toronto’s Ontario College of Art and Design is requiring students to purchase a $180 art history textbook that has no images of art at all. The father of one student says the publisher of the book, Global Visual and Material Culture: Prehistory to 1800, […]
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I am currently reading Female Chauvinist Pigs by the fabulous Ariel Levy. Her 2005 book chronicles the raunchy tendencies of modern self-described feminists (which I very much want to call “raunch dressing”). Levy is a fellow Wesleyan alum, and she uses some examples of her time in college to discuss the problems in academia that not only enable porn to exist […]
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Michelle Kamhi is the co-editor of the online arts review Aristos, and a mild-mannered, well-spoken New Yorker with a love of art and intellectual integrity. She is also the cause of a heated controversy that has broken out in the world of art education. The source of this conflict is an op-ed Kamhi wrote in […]
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On February 11 art-lovers packed a meeting room at Brandeis University to protest Brandeis’s plans to shut down its on-campus art museum and auction off the museum’s entire 6,000-piece collection. The list of holdings at Brandeis’s Rose Art Museum, most of them donated since the museum’s opening in 1961, reads like a Who’s Who of […]
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By William Creeley & Harvey Silverglate Reaction to Brandeis University’s plan to close the Rose Art Museum and sell its esteemed collection was swift—and scathing. Within the Brandeis community, President Jehuda Reinharz’s proposed fire sale provoked howls of betrayal from students, faculty, alumni, and donors. In the art world and news media, the move was […]
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The one thing that can be said about Aliza Shvarts, the Yale art major who either did or did not give herself a series of artificial inseminations followed by abortions as part of her senior project, is that she is only about 22 years old. That might explain her apparent unawareness of the health hazards […]
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