After 25 years in the corporate world, I decided to head back to the campus. In a way, I hadn’t really left since my dissertation. I had published several refereed articles in academic journals, five academic books (one a best seller in the field) and had conducted large research studies, collected a lot of data, written “white papers” and shared a good deal of that with my academic friends.
I found a position in the business school of a well-known Midwestern university. In my first semester I was asked what my political associations were. The question seemed irrelevant. I said so, adding that in presidential elections I had voted for three Independents, three Democrats and three Republicans. I was a free market guy, believed in lower taxes, less regulation, individual performance and personal accountability. I also believed in a secure retirement, health care support for the needy, a social “safety net” for those who could not work, education for everyone starting in kindergarten, a strong national defense, a sustainable ecological future for our children and grandchildren, smaller government, more local control, law enforcement – in short, sort of a libertarian, and one who believed in helping those who were less fortunate.
Continue reading “Why Was I Unfit?”
By Mark Bauerlein
If you browse through the list of dissertations filed in American literary and cultural studies last year, you will find many conventional and sober projects that fit well with traditional notions of humanistic study. Here are a few sample titles:
– “Rethinking Arthur Miller: Symbol and structure”
– “Tragic investigations: The value of tragedy in American political and ethical life”
– “Reading and writing African American travel narrative”
– “From demons to dependents: American-Japanese social relations during the occupation, 1945-1952”
– “The culture club: A study of the Boston Athenaeum, 1807-1860 (Massachusetts)”
But amidst these works, you also find a fair portion of projects with titles that border on the bizarre.
– “The fluviographic poetics of Charles Warren Stoddard: An emergence of a modern gay male American textuality”
– “Transperformance: Transgendered reading strategies, contemporary American literature”
– “Cruising and queer counterpublics: Theories and fictions”
– “‘Skirts must be girded high’: Spaces of subjectivity and transgression in post-suffrage American women’s travel writing”
– “Roddenberry’s faith in ‘Star Trek’: ‘Star Trek”s humanism as an American apocalyptic vision of the future”
– “Exhibiting domesticity: The home, the museum, and queer space in American literature, 1914-1937”
– “From sodomy to Indian death: Sexuality, race and structures of feeling in early American execution narratives”
– “The sentimental touch: Hands in American novels during the rise of managerial capitalism”
Continue reading Research As Self-Branding